Must-watch episode of the series: Teen Wolf Season 3 Episode 18, “Riddled”. If you continue to use this site we will assume that you are happy with it. … Natasia Demetriou and Matt Berry in What We Do in the Shadows. We couldn’t have a list of best of supernatural shows without one whose premise is all about hunting down demons, ghosts, monsters, and other supernatural beings! What we said: It has heart, charm, steel, belly laughs and a gimlet eye. This teen-centric supernatural soap opera is the perfect definition of why genre shows do so well. (Channel 4) A dark yet beautifully irreverent sadcom written by and starring comic Aisling Bea (with Sharon Horgan as her older sister), This Way Up breathed new life into the often staple themes of mental illness and difficult families with wicked wit and lashings of craic. (Netflix) Having thrilled viewers with its Spielbergian, Stephen King-flavoured brand of nostalgia, these days Netflix’s shockfest isn’t quite as novel as it once was. The series itself had some ups and downs, but it’s overarching themes of life, friendships, strength, and love that the ensemble cast portrayed beautifully had an impact on its audience. (BBC One) Peter Bowker’s ambitious wartime drama, featuring both the burning home fires and the plight of families in Germany and Poland, was an emotional tour de force right to its flabbergastingly open ending. Must-watch episode of the series thus far: Wynonna Earp Season 1 Episode 7, “Waking After Midnight”. But return it did, with a gobsmacking feature-length send-off including the most out-there closing number in musical history: Joyocaust (“We need a celebration of the soul / For this extermination Superbowl.”) One thing’s for sure: TV won’t be this transgressive again any time soon. Must-watch episode of the series thus far: The Walking Dead Season 3 Episode 4, “Killer Within”. What we said: What We Do in the Shadows is a deft and seductive comedy that has all the hallmarks of a series it will be easy to fall for completely. About admin. Read the full review. Read the full review. Read the full review. Read the full review. Melanie “Girl-On-Top” Scrofano has nailed her strong female lead character, but behind the scenes the true hero is Emily Andras as the trailblazer showrunner. (Netflix) Gillian Anderson starred as Jean, a sex therapist whose son Otis (Asa Butterfield) – though too anxious to masturbate himself – sets up a sex advice service at school. What we said: The great skill of Catastrophe has always been its unrivalled ability to show us brittle and spiky people, behaving mostly terribly, and then to make us feel deeply invested in their messy, fractured lives. Choose your favourite one and vote! 2019 looks set to be another incredible year for period dramas on British television. Teen Wolf is about how one high school student’s life drastically changed after turning into a werewolf. Fangs a lot! This dramatic supernatural comedy focuses on secret service agents as they retrieve supernatural objects and place them for safekeeping at a secret government warehouse. (BBC Two) Not since the Princess Diana and Martin Bashir sit-down in 1995 has such an astonishing royal spectacle been shown on our screens. What we said: Though it’s a comedy rather than a thriller, Barry replicates much of what made Breaking Bad irresistible. Her current day job is working within the nonprofit sector, and she is pretty much in love with any show that has strong female characters. Suranne Jones has received rave reviews for her portrayal of the 19th-century industrialist and prolific diarist, who developed a code to hide her lesbianism. Read the full review. (Channel 4) “It’s all bowls baby!” The second series of Jamie Demetriou’s surreal comedy set in a family lettings agency boasted even weirder dialogue than the first. The evocation of the 90s is as lightly done as ever (Elizabeth Hurley is fleetingly referenced – “She’s a total ride, but she paperclips her frocks together”) and the Troubled setting never overwhelms but simply throws into relief the ordinariness of the girls’ lives in the middle of extraordinary depths of conflict. They capture the innocence, in all senses, of children, and the permanence of its loss. (Lifetime/Crime+Investigation) A heartbreaking investigation into the decades of abuse by the R&B star towards young and often vulnerable women, this six-part series was among the year’s most hard-to-stomach but vital documentaries. A punchy, horny and eye-wateringly funny comedy with much to add to the teen TV genre. True Blood revolved around southern belle Sookie Stackhouse during a time that vampires were a part of everyday society. What we said: This season has given Abbi and Ilana the best possible send-off. What we said: An extended moment of clownish, life-changing stupidity wrapped around a kernel of true nastiness. (Netflix) Although somewhat overshadowed by grim royal events in the present, Peter Morgan’s lavish regal drama returned for its third outing, with Olivia Colman ascending to the throne and Helena Bonham Carter as Princess Margaret keeping her on her toes. Read the full review. What we said: If it is a comedy, it is one with the bleakest tragedy at its heart. Sibling rivalry … Drew Tarver as Cary, Case Walker as Chase and Helene Yorke as Brooke in The Other Two. What we said: In its last throes, The Virtues distilled itself down to drama in one of its purest forms: whether humans have something deep within that will save them when they face the source of all their pain, with the lure of the self-destruct button stronger than ever. What we said: There is plenty of action, for those who want it, but this is far from the standard wartime miniseries. (BBC America/BBC iPlayer) Phoebe Waller-Bridge’s blackly comic assassin hit returned without the midas touch of its creator (who was busy working on the final series of Fleabag), but with more than enough wit and comic book-style action to keep fans satisfied. What we said: This series raised the bar so utterly that, at times, Phoebe Waller-Bridge’s risks and progression were so impressive all one could do was shake one’s head in appreciation. Read the full review. It is unbearably harrowing to watch the boys, as young as 14, get violently coerced by police into giving confessions. Read the full review. While series five wasn’t as light on its feet as previous runs, the nation was firmly gripped by Stephen Graham’s star turn – and the possibility that H might have been right under our noses all along. What we said: Unbelievable isn’t a programme about whether a vulnerable teen was telling the truth. What we said: As ever, nothing is wasted; not a scene, not a line, not a beat. (Netflix) The trauma of sexual assault is often twofold. Warehouse 13 has the lovable duo of Eddie McClintock and Joanne Kelly, which made it easy for audiences to tune in every week. Now heading towards retirement age, the changes – from marriage breakups to reconciliations to the death of one of the cohort, Lynn – proved all the more poignant. Based on the comic book series, The Walking Dead is a gritty drama centers around a group of unlikely friends that fight to survive in a dangerous world full of zombies and other survivors. So check out our list of 18 best supernatural television shows (in no particular order) if you dare. Nor guilt. What we said: These 20-minute instalments are hymns to brevity. TV News Wrap-Up: Michael Rosenbaum Nixes Lex Luthor Reprisal, 'God Friended Me' Casts Trans-Pastor, Phoebe Waller-Bridge Signs Overall Deal With Amazon, and More, This dynamic heartfelt teen supernatural drama surprised us all. (Channel 4) It has been said that Stephen Graham is Shane Meadows’ muse. In making us giggle at the supernatural, Ghosts is very British. The Twilight Zone’s surprise twist endings and morality narratives continue to captivate and delight its audience, even decades after the finale. What we said: For an hour and a half, I was crying, especially when Cary followed three generations of Holocaust survivors to Auschwitz, knowing all the time that tears are not enough. The original supernatural show has become a timeless fan favorite. That’s right: impending nuclear armageddon was merely an aperitif when it came to the terror and devastation the Lyons family were to face in Russell T Davies’s breathtakingly ambitious six-part dystopian drama. Read more. Read more. What we said: It will leave you either longing for the monarchy to be decapitated for its endless, parasitical privilege (great scenes arise from Philip complaining about being asked to cut back on his yacht consumption, for example) or abolished for the Windsors’ own good. Everyday heroism … Stephen Graham in The Virtues. What we said: As honest and multi-faceted an examination and appreciation of marriage as you could hope to find (as well as an astonishingly cliche-free one). Andrew Lincoln, Norman Reedus, and Melissa McBride are the three complex and heartbroken characters who have led the ensemble, while Lauren Cohan and Danai Gurira have been heartfelt additions. Astonishing … Michael Jackson with the young Wade Robson. Thankfully it’s not held down by the high school angle or complicated doppelgängers storylines that proved troublesome for The Vampire Diaries. This popular supernatural drama is a spin-off of The Vampire Diaries, and some controversially think it is the better show. As well as transporting former rave and acid house fans back to their younger years, it offered a group of young participants a window into a world of hedonism and irrevocable social change. What we said: The writing is so creatively foul that it fills the gap left by its sibling in crudeness, Veep; half the fun is waiting to see what the interminably vile Roman will sneer about next. What we said: Everybody in the Place has enveloped viewers in a loved-up embrace. (All 4/Netflix) Despite a tense cliffhanger of a series one ending, Jessica Barden and Alex Lawther returned as the millennial answer to Bonnie and Clyde in the second run of the pitch-black comedy that became an unexpected global hit. (HBO/Sky Atlantic) A rare superhero tale infused with the tense racial politics of modern-day America, this HBO saga saw Regina King at her steely best as detective with a double life Angela Abar. I’ve watched I Think You Should Leave more times than I’ve watched entire series of Monty Python, and it’s only been available for two weeks. The way in which he blithely slow-blinked his way into catastrophe during the interview seems to suggest that he still doesn’t understand the scale of what has been levelled at him, and that is absolutely damning for his family. What we said: A bravura series that interrogates power, storytelling and the former embedded in the latter. 21 IMAGES. Read the full review. (HBO/Channel 4) A harrowing four-hour exposé of alleged child sexual abuse by Michael Jackson. (Netflix) David Fincher turned his talents to TV back in 2017 with this disquieting thriller set in the FBI’s nascent Behavioural Science Unit, based on investigator Holden Ford’s (Jonathan Groff) efforts to get into the heads of violent killers. It’s about who gets to have their story heard, who is allowed to be believed. Read more. Read the full review. But this was appropriate enough, given the figure who supplied most of the fuel for our second journey into Fleabag’s world – Andrew Scott’s Priest. (BBC One) Another year, another epic Attenborough extravaganza. The Virtues is a career peak for both. So check out our list of 18 best supernatural television shows (in no particular order) if you dare.

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